( Latin script ): A a B b C c D d E e F f G g H h I i J j K k L l M m N n O o P p Q q R r S ſ s T t U u V v W w X x Y y Z z.
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Singers bringing in every texture enter and exit from this epic album bringing with them their own interpretation of what Javed Akhtar's words and Ismail Durbar's tunes mean. If only the quality of the female vocals in Durbar's love song was as qualitatively elevated as Rahman's! And yes, if Rahman gives us the ultimate love ballad "Hum hain iss pal jahan", Durbar doesn't lag far behind with "Tu itni pagli kyon hai". "Kisna" brings back an epic grandeur to the sounds of film music. Like Ghai's other scores, "Kisna" is a soundtrack that blends a spontaneous flow of emotions with tightly structured tunes that you thought went out of fashion with the compositions of Laxmikant-Pyarelal.
#TAAL MOVIE CASSETTE COVER FULL#
From the joyous outburst of "Wohi din aa gaya" to the skillfully woven qawwalli paces of "Chilman uthegi nahin", to the raga-rich romantic articulation of Ustad Rashid Khan in "Kahe ujadi mori neend" to the spiritually inspiring sounds of "Aham brahmasmi" (sung by Sukhwinder with full throated glory).Every track is there because it had to be and not because it has been forced into a pre-arranged corner. The musical arrangements are neat and commodious, they knit Javed Akhtar's images into a pastiche that brings the emotions and visuals from the film to life even before one frame of Ghai's epic is seen.įor epic, it's sure to be. What Durbar does is seductive and impressive by any yardstick. I don't know what Rahman would've done if left to do the whole soundtrack. Ismail Durbar who has yet to prove himself beyond the precincts of Sanjay Leela Bhansali's cinema does so amply and explicitly in the majority of the tracks. In fact, you might think of Rahman's "Lagaan" score more than once as you run across the gorgeous grooves of this album. Salamat and others) and the English language "My wish comes true" sung with a sensuous sweetness by Sunitha Sarthy that reminds us of Vasundhara Das' English song in "Lagaan". And how much poorer that would make you!Īlso for the CD alone are the unusual antakshari songs "Ga tu aisi dhum mein ga" (excellent vocals by Kailash Kher, M. The undulating rhythms, the enchanting contours, Javed Akhtar's gently evocative lyrics suggesting there's more to love than possession and triumph, and the softly supple singing by Udit Narayan and Madhushree add up to a ballad that you can hold close to your heart for a while.Įasily the best composition of Rahman in recent times, "Hum hain" also comes in two other versions, one instrumental and the other choral, which you won't get on the cassette. "Hum hain iss pal yahan" is the most dulcet ballad of the year after "Tere liye" in "Veer-Zara".
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In "Kisna" Rahman has contributed just one tune. Rahman yielded what was probably the composer's best Hindi score ever, in "Taal". With "Kisna", Subhash Ghai returns to full form. Yes he did slip up slightly in his last film "Yaadein" where Anu Malik came up with just a few hummable tunes. In case we ever forget, Subhash is the 'Ghai' who gave us such abiding musical hits as "Karz", "Hero", "Karma", "Saudagar", "Pardes" and "Taal". Subhash Ghai keeps his formidable reputation of having some of the best melodies of the film industry with "Kisna".